William and Charlotte Stone House "Stonehaven"
Wylie, Collin County, Texas
Marker Inscription
On the eve of his marriage to Charlotte L. Howard (1891-1964) in 1912, William E. Stone (1884-1931) applied techniques he gleaned from architectural pattern books and his study of Frank Lloyd Wright to conceive the design plan for this house. Carl Shuman was contracted to integrate many structural and mechanical innovations into its 20th century bungalow house style. The land on which this home is located has stayed in the same family since 1850. Recorded Texas Historic Landmark - 1992
Erected by Texas Historical Commission
The Story
On the eve of his 1912 marriage, William E. Stone designed this Wylie home himself, drawing on architectural pattern books and his study of Frank Lloyd Wright to shape an early bungalow that builder Carl Shuman fitted with a range of structural and mechanical innovations. Named "Stonehaven," the house sits on land held by the same family since 1850.
Why it matters
Stonehaven shows how the modern design ideas of Frank Lloyd Wright and the bungalow movement rippled out to small Texas towns, where an amateur architect could bring national trends home.
The story behind this marker
AI contextThe era
In the early 1900s, American home design was changing fast. The heavy, ornamented Victorian houses of the late 1800s were giving way to simpler, more practical homes. The bungalow, low, open and built for everyday family life, was spreading across the country.
At the same time, architect Frank Lloyd Wright was reshaping ideas about what a house could be. His Prairie-style homes in the Midwest emphasized horizontal lines, open interiors and a close connection to the surrounding land. His ideas circulated widely through magazines and publications, reaching people far from Chicago.
For most Americans, though, the path to a modern house didn't run through a famous architect's office. It ran through pattern books and plan catalogs, which put house designs in the hands of ordinary builders and homeowners. A person with curiosity and a pencil could study these designs and adapt them for their own needs.
Wylie, in Collin County north of Dallas, was a farming community in this era, part of the rich blackland prairie. The family that built Stonehaven had already been rooted in this land for generations, since 1850, when North Texas was still being settled.
People & events
William E. Stone was a young man in his late twenties in 1912, about to marry Charlotte L. Howard. Rather than buy a ready-made design, he decided to plan the house himself. He studied architectural pattern books and the work of Frank Lloyd Wright, and from those sources he worked out a design for the home he and Charlotte would share.
To bring that design to life, Stone hired Carl Shuman as the builder. Shuman's job went beyond putting up walls and a roof. According to the marker, he worked many structural and mechanical innovations into the house, giving it a modern character that went past its outward bungalow style.
The house became known as Stonehaven, a name that fits a home built by a man named Stone as a refuge for a new marriage. William died in 1931, still a relatively young man, while Charlotte lived until 1964.
What makes this story appealing is its homemade ambition. This wasn't a wealthy client commissioning a famous architect. It was a young man on the edge of marriage, teaching himself enough design to build something thoughtful and up to date on land his family had worked for decades.
Its place in the American story
Stonehaven is a small but telling example of how big ideas in American design travelled. Frank Lloyd Wright's influence is usually told through his own celebrated buildings, but his ideas also spread through the many people who studied his work and borrowed from it in their own ways.
The bungalow itself is one of the most important house types in American history. In the early twentieth century it brought comfortable, well-designed homes within reach of ordinary families in cities, suburbs and small towns. Pattern books and plan catalogs helped drive that movement.
The house also tells a quieter story about continuity. The land has stayed in the same family since 1850, through the frontier years, the Civil War, the rise and fall of cotton farming and the explosive growth of the Dallas area. That kind of long tie to one piece of ground has become rare.
Its designation as a Recorded Texas Historic Landmark in 1992 recognized that a house doesn't need a famous name attached to it to matter. Sometimes its value lies in showing how national trends took root in a particular place.
If you visit
Wylie today is part of the fast-growing Dallas suburbs, so a historic family home with roots going back to 1850 offers a nice contrast to the new development around it. It's worth taking a moment to imagine the area as open blackland prairie and farmland.
As you look at the house, consider the features that set early bungalows apart: their low profile, broad roofs, porches and emphasis on practical living space. See if you can spot the horizontal lines that echo Wright's Prairie ideas. Remember that this is a home, so view it respectfully from public areas and don't assume it's open to visitors.
If you're touring North Texas, Stonehaven makes a good stop alongside the historic downtowns of Collin County, where you can see how small farm towns grew around railroads and later became part of a sprawling metropolitan area.
Written by AI to add context, grounded in the marker’s inscription and the historical record. The inscription above is the original, unaltered text.
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Related people
- · William E. Stone
- · Charlotte L. Howard
- · Carl Shuman
- · Frank Lloyd Wright
Themes & tags
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