Los Portales
San Elizario, El Paso County, Texas
Marker Inscription
Local farmer, rancher, and landowner Gregorio Nacenseno Garcia constructed this building as his family's residence about 1855. Built in the territorial style, it features milled wood detailing. Because of its distinctive inset gallery (portal), it became known as Los Portales. In the 1870s, the structure was converted to use as a schoolhouse. The first teacher was Octaviano Larrazola, who later became governor of New Mexico and a U.S. Senator. Recorded Texas Historic Landmark - 1962
Erected by Texas Historical Commission
The Story
Around 1855 the farmer and rancher Gregorio Nacenseno García built this territorial-style adobe as his family home, its distinctive inset gallery — the portal — giving it the name Los Portales. By the 1870s it had become a schoolhouse, and its first teacher, Octaviano Larrazolo, went on to serve as governor of New Mexico and a United States senator. The building ties the Hispanic ranching world of the Rio Grande to a nationally significant political career.
Why it matters
Los Portales links the old borderland ranching community of San Elizario to Octaviano Larrazolo, one of the first Hispanic Americans to reach the U.S. Senate.
The story behind this marker
AI contextThe era
In the 1850s the Rio Grande valley below El Paso was one of the oldest settled corners of what had just become the American Southwest. Spanish soldiers, missionaries and colonists had been living along this stretch of river for generations, and San Elizario had grown up around a Spanish presidio. When the Mexican-American War ended in 1848, the land passed to the United States. The families who lived here stayed where they were, and suddenly they were living under a new flag.
Life in the valley ran on the river. Irrigation ditches called acequias carried water to fields of grain, vegetables and orchards, and livestock grazed the open country beyond. Landowning families like the Garcías were the backbone of this farming and ranching world, and their houses showed both their standing and how they lived.
The building's territorial style tells its own story about those years. The style grew up across the upper Rio Grande in the mid-1800s. It kept the thick adobe walls that suited the desert climate and added touches that were newly easy to get, like milled wood trim. A house like this one mixes old building ways with new American goods, much as the community around it was doing.
By the 1870s the region was changing quickly. Schools, courts and county offices were spreading along the border, and the question of how to educate children in a mostly Spanish-speaking community was very much alive. Los Portales ended up in the middle of that change.
People & events
The first chapter belongs to Gregorio Nacenseno García, a farmer, rancher and landowner. Around 1855 he built this house for his family. He gave it a deep inset gallery, or portal: a shaded porch set into the building, where you could escape the sun, work, visit or watch the road. That porch became so closely linked to the house that the whole building took its name from it: Los Portales.
The second chapter began in the 1870s, when the family home became a schoolhouse. Turning a sturdy private house into a classroom was a practical choice in a frontier community. Its thick walls and shaded gallery made a good place for children to learn.
The first teacher was a young man named Octaviano Larrazolo. (The marker spells his name Larrazola; Larrazolo is the spelling history usually uses.) Born in Mexico, he came north as a young man, and teaching in San Elizario was one of his first steps in public life. He later studied law and went into politics.
That career went a very long way. The teacher who once stood in front of a room of San Elizario children later became governor of New Mexico and then a United States senator. A classroom in an adobe house on the Rio Grande was an early stop on one of the notable political journeys of the Southwest.
Its place in the American story
Los Portales connects the old Hispanic borderlands to American national politics. Octaviano Larrazolo is widely recognized as the first Mexican American to serve in the U.S. Senate. His rise began in communities like this one, where Spanish-speaking families had lived long before the border moved around them.
The building is also a reminder that the Southwest did not become American only through settlers arriving from the East. Families like the Garcías were already here, farming and building. After 1848 they helped shape the region's schools, towns and politics as new American citizens.
Its story also speaks to how public education spread across the country in the decades after the Civil War. Across the nation, communities built or borrowed spaces to teach their children. Here that space was a family home. The teacher's later career shows how a classroom can open doors that no one in the room could have imagined.
If you visit
Look first for the feature that named the building: the inset portal. Stand back and notice how the gallery is tucked into the house instead of stuck onto the front. On a bright desert day you can feel why people built this way, because the shade under a portal can seem a world away from the sun beyond it.
Then look closely at the details. The marker points out the milled wood trim, and spotting it against the adobe is a good way to see the territorial style for yourself. Picture the building first as a busy family home, then as a schoolroom full of children.
San Elizario rewards an unhurried stroll. It is one of the oldest communities in the El Paso area, and the historic district around the plaza holds more old adobe buildings and landmarks worth finding. Many travelers pair it with other historic sites in the lower valley on a drive out of El Paso.
If you're travelling with kids, ask them to imagine going to school in a house. Where would the desks go? Where would the teacher stand? Then tell them that the teacher here later became a senator.
Written by AI to add context, grounded in the marker’s inscription and the historical record. The inscription above is the original, unaltered text.
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Related people
- · Gregorio Nacenseno García
- · Octaviano Larrazolo
Themes & tags
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