San Marcos-Blanco Cemetery
San Marcos, Hays County, Texas
Marker Inscription
In 1893 five trustees of the newly formed San Marcos and Blanco Cemetery Association purchased 10.62 acres of land from w. O. and Leonora Hutchison. The trustees were Henry Richardson, Luckey McQueen, Wyatt Newman, James Langdon and Miles Bowes. The land purchased was intended for use as a cemetery by the African American citizens of the communities of Nance's Mill and Mountain City, together known as the Blanco community. The graveyard site was located midway between the two communities. The earliest recorded burial was that of Emma Hamilton in August 1886, indicating the land was in use as a graveyard prior to the land purchase. The site was called the San Marcos Colored Cemetery. More than 300 graves are marked with headstones and exist along with numerous unmarked graves. among those buried here are teachers, farmers and ministers. The site has also been used as a paupers' burial ground and was sometimes referred to as the paupers' plot. In 1981 the name was officially changed to the San Marcos Community Cemetery and in 1996 the original name was restored to the san Marcos-Blanco Cemetery. The site is still active and is maintained by the cemetery association. (1997)
Erected by Texas Historical Commission
The Story
In 1893 five trustees of the newly formed San Marcos and Blanco Cemetery Association bought more than ten acres to serve the African American communities of Nance's Mill and Mountain City, together known as the Blanco community. Burials had already begun by 1886, when Emma Hamilton was laid to rest, and the site—long called the San Marcos Colored Cemetery—holds more than 300 marked graves alongside many unmarked ones, including teachers, farmers, and ministers. Also used as a paupers' ground, the still-active cemetery had its historic name restored in 1996.
Why it matters
This cemetery preserves the memory of a self-organized African American community in Reconstruction-era Central Texas, whose members built their own institutions and cared for their own dead when segregation denied them a place elsewhere.
The story behind this marker
AI contextThe era
After emancipation, freed African Americans across Texas set about building the institutions slavery had denied them. Churches, schools, mutual-aid societies and cemeteries were among the first things they created, often on land they bought with hard-earned money. Owning land, and controlling how one's own dead were buried, meant a great deal to people who had so recently been treated as property.
In Central Texas around San Marcos, small Black farming communities grew up in the decades after the Civil War. The marker names two of them, Nance's Mill and Mountain City, together known as the Blanco community. Like many freedmen's settlements, they were rural, close-knit and built around family, farming and faith.
By the 1890s, when this cemetery association bought its land, Jim Crow segregation was hardening across the South. Black Texans were increasingly shut out of public life, and burial was segregated along with almost everything else. A community that wanted a dignified resting place for its people usually had to create one itself.
That is the setting for this cemetery. It was founded by people who had decided to own and protect the ground where their families would be laid to rest.
People & events
The cemetery's story starts before its official founding. The earliest recorded burial is that of Emma Hamilton, in August 1886. That means families were already burying their dead here years before anyone held legal title to the land, which was common in communities where custom came before paperwork.
In 1893 the community made the ground its own. Five trustees of the newly formed San Marcos and Blanco Cemetery Association, Henry Richardson, Luckey McQueen, Wyatt Newman, James Langdon and Miles Bowes, bought a little over ten and a half acres from W. O. and Leonora Hutchison. The site sat midway between Nance's Mill and Mountain City, so it belonged equally to both.
Over the following generations, more than 300 graves received headstones, and many more were left unmarked. Teachers, farmers and ministers are buried here, the people who kept the community running. The ground also served as a paupers' burial place, so people with no family or money still received burial.
The cemetery's name has changed over time. It was long known as the San Marcos Colored Cemetery, was officially renamed the San Marcos Community Cemetery in 1981, and in 1996 got back its original name, the San Marcos-Blanco Cemetery. Restoring the name was a way of recognizing the two communities that founded it. The association still maintains the site, and burials continue today.
Its place in the American story
Across the American South, cemeteries like this one are among the most lasting records of Black life after emancipation. Many freedmen's communities have faded and their buildings are gone, but their burial grounds remain. These cemeteries often hold the only written traces, in names and dates carved in stone, of people the official record overlooked.
The cemetery's founding shows a pattern seen nationwide: when segregation closed doors, Black communities built their own institutions. A cemetery association with elected trustees, a land purchase and a shared purpose was an act of self-government at a time when Black citizens' political rights were being taken away.
The unmarked graves matter too. Throughout the country, historians and descendants are working to identify people buried in unmarked graves in historically Black cemeteries, and to protect those sites from neglect and development. A cemetery that is still active and still cared for by its own association, like this one, is an important link between the people of the past and the families who remember them.
If you visit
This is an active cemetery, so visit quietly and respectfully. Families still come here to bury and remember their dead. Stay on paths where they exist, don't touch or lean on headstones, and give mourners room if a service is underway.
As you walk, notice how the graves differ: carved stones, simple markers, and open stretches of grass where unmarked graves likely lie. The inscriptions you can read, names, dates and sometimes a line of scripture, give a glimpse of the teachers, farmers and ministers the marker mentions. Remember the burials you can't see, too, including the paupers buried here.
The cemetery fits well into a visit to San Marcos and the Texas Hill Country, where well-known attractions sit beside quieter places like this one. Before you go, look up the San Marcos area's African American history. Knowing that the Blanco community once stood nearby makes the walk here mean more.
Written by AI to add context, grounded in the marker’s inscription and the historical record. The inscription above is the original, unaltered text.
Own a business near here? Add it to the map.
Related people
- · Emma Hamilton
- · Henry Richardson
- · Luckey McQueen
- · Wyatt Newman
- · James Langdon
- · Miles Bowes
Themes & tags
Nearby & related markers
The Calaboose
San Marcos, TX
Built in 1873 as Hays County's first jail, this sturdy little brick lockup earned the folk name "Calaboose," from the Spanish calabozo. Its history traces the arc of segregation in Central Texas: an annex for Black prisoners, then a neighborhood recreation center, and during World War II a U.S.O. hospitality center for Black servicemen barred from whites-only facilities. In later years it returned to community use.
Eddie Durham
San Marcos, TX
Jazz pioneer Eddie Durham was born in San Marcos in 1906 into a musical family and played trombone and guitar in bands across the Southwest before joining Kansas City's swing scene. Working with Bennie Moten and later Jimmie Lunceford and Count Basie, he helped shape the big-band sound and pioneered the single-string guitar style — recording what is often called the first amplified guitar in 1935. A gifted arranger, he had a hand in standards including 'In the Mood.'
Kyle Family Pioneer Cemetery
Kyle, TX
Long dismissed as the 'Old Slave Cemetery,' this ground holds the enslaved and freed people of Claiborne Kyle's plantation, where census records counted more than two dozen enslaved men, women and children by 1860. Burials stretched from the 1850s into the 20th century, though most graves were marked only by fieldstones or wooden markers now lost. A few carved headstones survive—Philis Martin, Vinie Kyle, a World War I veteran among them—and community-led restoration since the 1990s has reclaimed the site from obscurity.
Ulysses Cephas
San Marcos, TX
Born in San Marcos in 1884 to formerly enslaved parents, Ulysses "Boots" Cephas learned the blacksmith's trade from his father and grew into one of the county's most respected craftsmen, prized for his skill at shoeing horses and building wagons and farm tools. He owned his own shop and gave back to his community as a church member and organizer of the San Marcos Independent Band. His life traces one family's path from bondage to skilled independence in a single generation.