The "Something Is Being Done" Monument

Boston, MA

In the early 1950s, Boston's Back Bay was home to a remarkable pair of young students: a Georgia-born theology doctoral candidate at Boston University and an Alabama-raised singer training at the New England Conservatory. Their 1952 introduction and the courtship that followed — carried on between rooming houses along Massachusetts Avenue — would join two lives that reshaped a nation. The League of Women for Community Service, where Coretta boarded, was itself a pillar of Black Boston, a reminder that this romance unfolded within a close, striving community.

Danvers, MA

In 1692 the farming community then known as Salem Village—today's Danvers, Massachusetts—became the epicenter of colonial America's most infamous witch panic. Accusations that began with afflicted girls spread through the Puritan community, and special courts sent twenty people to their deaths and left others to die in jail before the hysteria collapsed under its own excess. This memorial gathers the community's remorse into a single quiet promise: to remember the innocent men and women destroyed by fear, rumor, and a justice system that abandoned its own safeguards.

Somerville, MA

Donald L. Curtis was a corporal in the United States Army, born in September 1944 and lost in June 1969 at just 24 years old — his short life spanning the height of the Vietnam War era. Across Massachusetts and much of the country in these years, cities and towns set aside street corners, squares, and plaques to honor hometown servicemembers who did not come home, turning an ordinary intersection into a place of remembrance. This memorial marks one such young man from the Somerville community, his name and rank kept in public view for the neighbors and generations who pass by.

Cambridge, MA

May Sarton lived and wrote in Cambridge, Massachusetts, part of a literary community that made the city one of America's great crucibles of letters in the twentieth century. Belgian-born and brought to New England as a child fleeing the upheavals of the First World War, she spent a long career moving between poetry, fiction, and the intimate art of the journal — work that found beauty in solitude, aging, and the interior lives of women. Her chosen epitaph, "maker of bridges between two worlds," captures a writer who linked Old World and New, private feeling and public page.