The Murals of Hannah Hall
Houston, Harris County, Texas
Marker Inscription
The student murals of Hannah Hall, located on the campus of Texas Southern University, embody the culminating experiences of a people as seen through the eyes of student artists. Almost from the beginning of the Art Department in 1950, it became a ritual for art students to paint murals on the walls of their temporary building. By 1952, the Art Department moved to the third floor of the newly built Hannah Hall. Under the direction of distinguished muralist and artist Dr. John T. Biggers, the murals were to be a catalyst for pride in the artists’ heritage and the self-identity of a people. They became the art students’ theses and dissertations, and when a mural was deemed superior based on the professor’s judgment, the mural was allowed to remain. The murals, some dating to 1950, cover several eras and themes. They depict mostly the lives of African Americans, portraying the brutality committed against them and the hurt and injustice they endured during their history. Some murals depict the artists’ feelings toward hope, faith and religion, while others are defiant, bold and striking depictions of oppressive police, brutal slave masters and even unforgiving nature. Overall, a theme of survival amidst insurmountable odds is apparent. The murals are a beautiful, historic monument to the spirit of the university imparted through its students. They tell the story of the struggle of a people through color, texture and time, and are a cultural treasure of Texas Southern University, Houston and the State of Texas. (2012)
Erected by Texas Historical Commission
The Story
On the campus of Texas Southern University, generations of art students turned the walls of Hannah Hall into a living gallery. Beginning around 1950 under the direction of noted muralist Dr. John T. Biggers, students painted murals as their theses — the finest allowed to remain. Unflinching and defiant, they depict the brutality, faith, hope, and survival of African American life across many eras.
Why it matters
The murals are a rare, student-created monument to African American history and identity, made at a historically Black university where art became both scholarship and testimony.
Own a business near here? Add it to the map.
Related people
- · Dr. John T. Biggers
Themes & tags
Nearby & related markers
John Thomas Biggers
Houston, TX
Born in Gastonia, North Carolina in 1924, John Thomas Biggers discovered art at Hampton Institute under mentor Viktor Lowenfeld and went on to earn advanced degrees at Penn State. In 1949 he founded the art department at Texas State University for Negroes (now Texas Southern), where he had students paint the murals of Hannah Hall, and a UNESCO-funded 1957 trip to Africa inspired signature works like his 'Web of Life' mural.
Greater Zion Missionary Baptist Church
Houston, TX
Since the late 1800s, the congregation of Greater Zion Missionary Baptist Church has anchored Houston's Greater Third Ward, tracing its roots to a brush-arbor meeting led by the Rev. Gilbert Green. Founded as Little Zion, the church grew alongside a Black community whose members often worked low-paying jobs, and it steadily turned its energy outward. Under the Rev. Moses Leonard Price, its longest-serving pastor (1938–1984), it opened a kindergarten, funded scholarships, and ran summer tutoring. Members have since run food pantries and built affordable homes.
Mt. Zion Missionary Baptist Church
Houston, TX
Organized in 1866 — the year after the Civil War ended and slavery was abolished in Texas — Mt. Zion was one of Houston's first three African American churches, its congregation meeting at first in a tent on Commerce Street. That same fall the Freedmen's Bureau opened a school on the church's property, one of the earliest in the city for formerly enslaved children and adults, and the congregation kept teaching there into the 1880s. Through fires, a devastating norther, and the great hurricane of 1900, the church rebuilt again and again, helping to found many other congregations along the way.
Asbury Memorial United Methodist Church
Houston, TX
In 1866, freedman William Burley came to Harrisburg to minister to newly emancipated African Americans, buying land along Brays Bayou for a home and a church that became the Methodist Episcopal Church of Harrisburg. The Freedmen's Bureau sponsored a community school on the grounds until 1870, an early Black public school for the area, and the congregation grew into a focal point of Black community life. Through renamings that reflected its history, it became Asbury Memorial United Methodist Church, and its members included Civil War veteran Wilson Burley of the 84th U.S. Colored Infantry and Tom Blue, once enslaved by Sam Houston.