HistoricSiteMarkers
Reconstruction & Gilded Age

St. Paul Baptist Church

Giddings, Lee County, Texas

Marker Inscription

This congregation was organized in 1870 by ex-slaves Bob Bennett, James Collier, Andrew Jackson, Elijah Lewis, Alfred Williams, Steve Williams, Henry Wilson, and their families. They worshiped first in a residence provided by Alford Williams, then erected a sanctuary in an area known as "The Flat." One prominent early member was Matthew Gaines (1842-1900), a former slave who became a minister, state senator, and spokesman for civil rights. St. Paul Baptist Church moved to its present location in 1911. The congregation supports a variety of community service activities. (1977)

Erected by Texas Historical Commission

The Story

In 1870, seven formerly enslaved men and their families organized this congregation, worshiping first in a member's home and then in a sanctuary in an area called 'The Flat.' Among its early members was Matthew Gaines, a former slave who became a minister, a Texas state senator during Reconstruction, and an outspoken champion of civil rights and public education. The church moved to its present site in 1911.

Why it matters

Born of freedpeople in the first years after slavery and tied to the Reconstruction statesman Matthew Gaines, this church stands at the intersection of African American faith, politics, and the early civil rights struggle.

The story behind this marker

AI context

The era

In the years right after the Civil War, freedom was new and unfinished, and across the South formerly enslaved people set about building the institutions that slavery had denied them. Chief among these was the independent Black church. In central Texas, in the country that would become Lee County, that work took hold in 1870, only a few years after emancipation reached the state.

This was the Reconstruction era, a brief and turbulent season when African Americans in Texas could vote, hold office, and organize openly. It was also a time of hard limits and rising resistance. For freedpeople, a church was far more than a place of Sunday worship — it was a school, a meeting hall, a mutual-aid society, and the one institution they fully owned and governed themselves.

The first gatherings happened where they could: in a member's home, and then in a purpose-built sanctuary in a section of the community locally known as "The Flat." These modest beginnings — worship in a borrowed residence before a building of one's own — were the common and honorable pattern by which Black congregations across the postwar South took root.

People & events

The congregation was organized in 1870 by a group of men who had themselves been enslaved — Bob Bennett, James Collier, Andrew Jackson, Elijah Lewis, Alfred Williams, Steve Williams, and Henry Wilson — together with their families. Their names deserve to be read slowly, because founding a church was an act of vision by people who had only just gained the freedom to undertake it.

One family opened its home for the first services; another member, Alford Williams, provided the residence where the young congregation first worshiped. From there the members built their own sanctuary in "The Flat," claiming a place of their own on the landscape.

Among the early members was a man whose life reached far beyond the walls of any one church. Matthew Gaines, born into slavery in the early 1840s, became a minister, a Texas state senator during Reconstruction, and a fearless spokesman for civil rights. From the pulpit and the statehouse alike, Gaines argued for the causes that mattered most to freedpeople — among them public education and the full rights of citizenship.

The congregation grew and endured. In 1911 it moved to the site it occupies today, carrying forward a tradition of worship and community service that had begun four decades earlier.

Its place in the American story

This church belongs to one of the most important American stories of the nineteenth century: the founding, by formerly enslaved people, of independent Black institutions in the wake of emancipation. Across the South, thousands of such congregations became the bedrock of African American community life, and many would nurture the leaders and the moral energy of the long civil rights struggle that followed.

The presence of Matthew Gaines links this local sanctuary directly to the national experiment of Reconstruction, when Black men served in legislatures across the South for the first time. Gaines's advocacy for public education foreshadowed one of the central battles of American democracy — the fight to make schooling a right for all children — and his voice for civil rights placed him among a generation of Black lawmakers whose achievements were real, hard-won, and later too often forgotten.

That a congregation born of freedpeople in 1870 still gathers and still serves its community is itself part of the American story: proof of the endurance of institutions built by people who began with almost nothing but their faith and one another.

If you visit

Approach this as a living congregation with deep roots, not a museum. The building you see stands on the site the church has held since 1911, but the story you are visiting began earlier and elsewhere — in a member's home and in the sanctuary raised in the area once called "The Flat."

Let the marker do what it does best: name the founders. Take a moment with the list of men who organized the church in 1870, and with the memory of Matthew Gaines, who prayed among this community before he spoke for it in the Texas Senate. Standing here, you are close to the origins of both a faith community and a chapter of Reconstruction-era political history.

A stop like this fits naturally into a thoughtful drive through central Texas, where small towns hold outsized histories. If you visit around a service or a community event, you may find the congregation's tradition of service still very much alive — the same spirit, carried by later generations, that first gathered here more than a century and a half ago.

Written by AI to add context, grounded in the marker’s inscription and the historical record. The inscription above is the original, unaltered text.

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Related people

  • · Matthew Gaines
  • · Bob Bennett
  • · Alfred Williams

Themes & tags

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