Blues & Jazz in the Pass
Pass Christian, Harrison County, Mississippi
Marker Inscription
Blues & Jazz in the Pass. The histories of blues and jazz are often traced along separate pathways, but, especially on the Gulf Coast, the two genres were intertwined from the earliest days. Blues was a key element in the music of Pass Christian's illustrious native son Captain John Handy (1900-1971) and other locals who played traditional jazz or rhythm & blues. Pass Christian has celebrated its rich African American musical heritage with various festivals, including "Jazz in the Pass," first held here in 1999. Mississippi Blues Commission.
Erected by Mississippi Blues Commission
The Story
Though blues and jazz are often told as separate stories, along the Gulf Coast the two grew up intertwined from the start. Pass Christian's native son Captain John Handy (1900โ1971) wove blues deep into his traditional jazz and rhythm & blues, as did other local players. The town has honored this African American musical heritage with festivals such as "Jazz in the Pass," first held in 1999.
Why it matters
It highlights the Gulf Coast's often-overlooked role in the birth of America's signature music, and the Black communities who created it.
Own a business near here? Add it to the map.
Related people
- ยท Captain John Handy
Themes & tags
Nearby & related markers
Dew Drop Social and Benevolent Hall
Mandeville, LA
The Dew Drop Social and Benevolent Hall in Mandeville dates to 1895, built by a mutual-aid society of the kind Black communities across the South formed to provide fellowship, insurance, and burial support. Its simple wooden hall became a stage for early jazz, hosting musicians in the music's formative decades. Now on the National Register, it stands as one of the oldest rural jazz halls in the country.
Dew Drop Social and Benevolent Hall
Mandeville, LA
The Dew Drop Social and Benevolent Hall in Mandeville dates to 1895, built by a mutual-aid society of the kind Black communities across the South formed to provide fellowship, insurance, and burial support. Its simple wooden hall became a stage for early jazz, hosting musicians in the music's formative decades. Now on the National Register, it stands as one of the oldest rural jazz halls in the country.
Katrina Memorial
New Orleans, LA
On August 29, 2005, Hurricane Katrina struck the Gulf Coast, breaching New Orleans's levees and flooding roughly four-fifths of the city in one of the deadliest and costliest disasters in American history. These storm-killed trees, left standing as stark sculpture, were dedicated on the fifth anniversary by University of New Orleans students as a living reminder of the storm's force and the city's long recovery.
Place de Henriette Delille
New Orleans, LA
This spot in New Orleans honors Henriette Delille, a free woman of color born in the city's Creole community in the early 19th century. In 1842 she founded the Sisters of the Holy Family, a Catholic order of Black women who taught, nursed, and cared for the enslaved and elderly at a time when such work by African Americans was fiercely constrained. Her cause for sainthood has since made her one of the most celebrated figures of Afro-Creole New Orleans.