HistoricSiteMarkers
Progressive & Modern Era

1910 Lynching of Allen Brooks

Dallas, Dallas County, Texas

Marker Inscription

After Reconstruction, white southerners began adopting laws and codes, known as Jim Crow laws or black codes, that affected everyday life for African Americans. One instrument of enforcement was the threat of violence as well as actual violence, including lynching. Although more often associated with rural areas, lynchings did occur in towns and cities. In Dallas County between 1853 and 1920, five white males and six African American males were lynched by mobs. The lynching of Allen Brooks on March 3, 1910, was an example of strategic Jim Crow violence. As recorded in major newspapers, court records and personal testimonies, Allen Brooks was a 60-year-old African American domestic laborer accused of assaulting a girl in the home of his long-time employer. Local law enforcement attempted to keep the time and location of the pretrial hearings secret, but a local newspaper published the information and a mob subsequently convened at the county courthouse. Measures were taken to secure the building, but the crowd which had gathered shoved past and into the building and pulled Brooks to the second-floor window. The mob placed a rope around his neck and threw him from the window. They then dragged Brooks a half a mile down Main Street where he was finally hung from a telephone pole near the prominent Elks Arch at Main and Akard Streets. Following this horrific event, witnessed by an estimated 5,000 people, many citizens called for a state special grand jury to investigate the lynching, but no court convened and no one was held accountable. Although no other lynchings were documented in the city of Dallas after 1910, other forms of racial discrimination and oppression persisted. (2020)

Erected by Texas Historical Commission

The Story

As Jim Crow tightened its grip after Reconstruction, the threat and reality of lynching enforced the racial order even in cities. On March 3, 1910, a mob stormed the Dallas County courthouse, seized 60-year-old Allen Brooks from a pretrial hearing, threw him from a second-floor window, and dragged him down Main Street to hang him near the Elks Arch before a crowd estimated at 5,000. Though many called for a grand jury, no one was ever held accountable.

Why it matters

The public killing of Allen Brooks lays bare how racial terror operated openly in the urban South, and stands as a reckoning that communities today confront in the work of remembrance and justice.

The story behind this marker

AI context

The era

When Reconstruction ended in the 1870s, the federal government pulled back from protecting the rights of formerly enslaved people in the South. White southern lawmakers then built a system of segregation and disenfranchisement known as Jim Crow. It reached into nearly every part of daily life, including where Black Texans could live, work, eat, travel, and vote.

Laws alone did not hold that system in place. The constant threat of violence did, and so did violence itself. Lynching, the killing of a person by a mob with no trial, was its most terrifying tool. It was meant to punish one person and to frighten a whole community into staying in line.

Lynching is often pictured as a rural crime, but it happened in growing cities too. By 1910, Dallas was a booming commercial center with newspapers, streetcars, and a busy downtown. The marker notes that between 1853 and 1920, mobs in Dallas County lynched eleven men, six of them African American and five white. What happened to Allen Brooks shows how that violence could take place in the middle of a modern city, in daylight and in front of thousands of people.

People & events

Allen Brooks was 60 years old, an African American man who did domestic work and had been employed by the same household for a long time. He was accused of assaulting a girl in that home. Under the law he was entitled to a hearing and a trial. He never received either.

Local officials apparently understood the danger. They tried to keep the time and place of his pretrial hearing secret. Then a local newspaper published those details. A mob gathered at the county courthouse. The building had been secured, but the crowd forced its way past the defenses and into the courthouse. They seized Brooks, put a rope around his neck, and threw him from a second-story window.

The mob then dragged him about half a mile down Main Street, through the heart of the business district. He was hanged from a telephone pole near the Elks Arch, a landmark at Main and Akard Streets. Around 5,000 people are estimated to have watched. Lynchings of this era were often public spectacles, and this one took place on one of the city's most visible corners.

Afterward, many Dallas residents called for a special grand jury to investigate. None ever met, and no one was charged or punished. Brooks was the last documented lynching victim in the city of Dallas. The marker is careful to add that other forms of racial discrimination and oppression continued long after.

Its place in the American story

Across the United States, thousands of African Americans were lynched in the decades after Reconstruction. These killings were rarely hidden. They were often announced beforehand, drew large crowds, and went unpunished, which showed how fully local authorities and communities tolerated them. The Brooks case fits that national pattern closely: officials failed to protect him, the press helped the mob, a huge crowd watched, and nobody was held accountable.

It also shows that racial terror was not only a rural problem. It happened in the downtowns of rising Southern cities, in the same streets where people shopped and did business. That is part of why the marker calls it "strategic." It was violence meant to send a message to an entire population.

This marker was erected in 2020, and it belongs to a wider national effort to mark the sites of lynchings honestly. Communities across the country have been naming these victims and placing their stories in public view. The goal is not to reopen wounds for their own sake. It is to put on the record what was left unspoken for generations and to honor people who were denied justice.

If you visit

This marker stands in downtown Dallas, near the historic heart of the county's government. The dramatic red sandstone courthouse from the 1890s, known today as "Old Red," still stands in this area and serves as a museum. As you stand here, look at the surrounding streets and think about how the city's commercial core, not some remote crossroads, was the setting for this crime.

Approach this stop with the seriousness it asks for. It is a memorial to a man who was murdered, not a curiosity. Many visitors find it helpful to take a quiet moment, read the full inscription, and think about the half-mile route down Main Street that the marker describes.

Downtown Dallas has several other markers about the city's history of slavery, racial violence, and civil rights, and many are within walking distance. Seeing them together, on foot, gives you a sobering and important picture of the city's past. It pairs naturally with the museums in the historic West End and Dealey Plaza area.

Written by AI to add context, grounded in the marker’s inscription and the historical record. The inscription above is the original, unaltered text.

Own a business near here? Add it to the map.

Related people

  • · Allen Brooks

Related events

  • · Lynching of Allen Brooks

Themes & tags

Nearby & related markers

Fire and Lynchings of 1860

Dallas, TX

In the brutal summer of 1860, a fire on a 115-degree day destroyed much of downtown Dallas as the nation edged toward civil war over slavery. Amid panic and unfounded suspicion of abolitionists, a self-appointed vigilance committee bypassed any trial and condemned three enslaved men—Sam Smith, Patrick Jennings, and 'Old Cato'—who were hanged on July 24, 1860. Generations later, in 1991, the ground was consecrated as Martyrs Park to honor them and confront the inhumanity of slavery in the city.

Moorland YMCA Building

Dallas, TX

When Dallas's YMCA expanded in the late 1920s, African American citizens of North Dallas raised $75,000—overshooting their goal—and, with a matching gift from the Rosenwald Fund, opened the Moorland YMCA in 1930. Named for YMCA leader Dr. Jesse Edward Moorland, the Italian Renaissance Revival building became a rare public gathering place for the Black community: a gym, a youth and education center, lodging for travelers turned away from segregated hotels, and a meeting ground for the local civil rights movement. It closed in 1970, and the building later became home to the Dallas Black Dance Theatre.

Tenth Street Historic District Freedmans Town

Dallas, TX

The Tenth Street District grew from the enslaved people first brought to Oak Cliff in the 1840s into a thriving African American enclave after the Civil War. By 1900 hundreds of Black residents lived here, building a segregated commercial district, churches, and schools that nurtured talents the marker credits, including blues artist T-Bone Walker and Olympian Rafer Johnson. Highway construction in the 1950s and integration reshaped the neighborhood, yet its historic homes remain among the best-preserved of their kind in Dallas.

Munger Avenue Baptist Church

Dallas, TX

Galilee Baptist Church was organized in 1894 near the railroad tracks on Central Avenue, where members famously hung heavy rags in the windows to muffle the din of nearby taverns — earning it the nickname "Rag Doll Church." After relocating to Munger Avenue in 1911 and taking that name under Rev. Abraham Lincoln King, the congregation built its first permanent structure and grew steadily through the pastorates that followed. A new sanctuary was completed in 1940–41, and the church became a center for worship, education, and civic life in the community.